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Celeste Hutchins MP3s

(de)construction

This song was written at Mills College for my senior thesis concert. It involves the sounds of a Moog modular and many contact mics and a quadraverb FX box. The recordings include piano strings, keys being shaken, a washing machine and bed springs as somebody jumped on them.

Album: Faux Pas

Bitter Day

Your festivals will turn into mourning
And all your songs into lamentation;
It will be like a time of mourning for an only daughter,
And the end of it will be like a bitter day.

Album: Faux Pas

Chaos Patch

A chaos patch is formed by taking three oscilators and plugging the output of one into the FM input of the next, so as to create an FM loop. Then one of the sound outputs goes to modulate a low pass filter, another a high pass filter and the last one is audio input to the filter chain. The results are unpredicatable and chaotic.

Album: Faux Pas

Choral No. 1

My thesis advisor told me that to create music, I would need to know counterpoint.

December

This contains sounds from a MOTM Modular Synth, a Moog Tarus II, an Evenfall Minimodular and a "guitar" made out of some wood and a fiberglass lampshade. The guitar was contact miced and run through an Alesis Midiverb II, which also processed some synth sounds.

Album: Faux Pas

Drum Decay

This piece uses a feedback loop like the one Alvin Lucier used in I am sitting in a Room. The drums sounds were generated with Rebirth software and then processed via a MAX/MSP application, a bass amplifier and a microphone. The results of that were processed with Sound Hack and then remixed in Pro-tools.

Headerless Data #1

I created a Photoshop document and put an AIFF header on it, then converted the AIFF to mp3. Any structure this appears to have is either because of the way Photoshop stores layers, or because of nice mosiac tiling I put on the image. The thumbnail picture that comes with this song is a small version of the one I used.

Album: Faux Pas

Leftovers

This song was written at Mills College for my thesis concert. The sounds in it were originally generated for my Electronic Music class and later mixed into one song. The "leftover" sounds were created mostly between the hours of midnight and 8:00AM becuase it was easier to get studio time then.

Album: Faux Pas

Monopoly Capitalism

I was at the world's largest chain of copy mats when the guy standing next to me was busily copying an article called "Monkeys and Monopoly Capitalism." I got to thinking about how monkeys follow supply and demand. And about religion and the Wall Street Journal. But mostly about a neglected MAX patch that wanted to be recorded.

Album: Faux Pas

Phase

Three simultaneous instances of the same loop, cut to different lengths.

Scape

This song was written at Mills College for my thesis concert. I spent a week or two on it, mostly between the hours of midnight and 8:00 AM, since it was easier to get studio time in the middle of the night.

Album: Faux Pas