Choral No. 1
2000
My thesis advisor told me that to create music, I would need to know counterpoint.
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Choral No. 1
Daily Archives: 2 October 2005
December
December
2000
This contains sounds from a MOTM Modular Synth, a Moog Tarus II, an Evenfall Minimodular and a “guitar” made out of some wood and a fiberglass lampshade. The guitar was contact miced and run through an Alesis Midiverb II, which also processed some synth sounds.
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Drum Decay
Drum Decay
2001
This piece uses a feedback loop like the one Alvin Lucier used in I am sitting in a Room. The drums sounds were generated with Rebirth software and then processed via a MAX/MSP application, a bass amplifier and a microphone. The results of that were processed with Sound Hack and then remixed in Pro-tools.
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Headerless Data No.1
Headerless Data No.1
2001
I created a Photoshop document and put an AIFF header on it, then converted the AIFF to mp3. Any structure this appears to have is either because of the way Photoshop stores layers, or because of nice mosiac tiling I put on the image.
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Leftovers
Leftovers
1997
This song was written at Mills College for my thesis concert. The sounds in it were originally generated for my Electronic Music class and later mixed into one song. The “leftover” sounds were created mostly between the hours of midnight and 8:00AM becuase it was easier to get studio time then.
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Monopoly Capitalism
Monopoly Capitalism
2000
I was at the world’s largest chain of copy mats when the guy standing next to me was busily copying an article called “Monkeys and Monopoly Capitalism.” I got to thinking about how monkeys follow supply and demand. And about religion and the Wall Street Journal. But mostly about a neglected MAX patch that wanted to be recorded.
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Phase
Phase
2001
Three simultaneous instances of the same loop, cut to different lengths.
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